What I’ll be drinking in 2017

2016 was a great year for wine, if not the best for politics.

You can read my short round-up and top six picks (really tough task) of the year here on The Buyer.

Highlights of the year included exceptional tastings (in particular AoA, Barullo, the Beaujolais celebrations on Nouveau day at Noble Rot – with winemakers Andrew Nielsen of Le Grappin, Jean-Louis Dutraive and Julien and Antoine Sunier), and meeting brilliant winemakers such as Bryan MacRobert and Albert Ahrens with Red Squirrel, and the ’76 Paris rematch and meeting Elena Pantaleoni at Sager + Wilde).

(Meeting Bryan MacRobert and tasting the Laventura wines) 

Abroad, highlights included a trip to Beaujolais, where I was fortunate enough to taste some fascinating old vintages from various producers (including a stunning ’76 from Château du Moulin-à-Vent). This cemented Gamay’s real capacity for ageing in my mind. I also visited small artisan producers such as Lapalu, the Suniers, JP Brun, F. Vergers, A. Kuhnel, the Thillardons and more, all producing epic Gamay. It’s been the YEAR FOR GAMAY, for me.

With Plaimont Producteurs, tasting microvinifications of reintroduced (from a pre-phylloxera plot) ancient and forgotten varietals in Saint Mont was another highlight. A trip to Masi, in Valpolicella, saw me learn about drying lofts (appassimento) and pergola vines.

 

2017…

New year, new wines to taste. I have my eye on…

1 – More Gamay: Of course from Beaujolais, but from further afield as well. I want to get to grips with Gamay’s expression in the Loire. I’ll be looking forward to tasting more Canadian examples too.

2 – Italy. All over: The country has a wealth of indigenous varietals of huge interest to me. I think we’ll see more Lambrusco too, as well as other red sparkling examples. Franciacorta and Trento will enjoy some more noise I think. Tannico stock brilliant examples of all of these.

3 – Croatia: Again – fascinating indigenous varietals to explore, and wonderful styles. Lots of amphora and skin contact too. Borgonja is very interesting. Check out Croatian Fine Wines for some of these.

4 – Greece: again – all about the indigenous varietals. I love the saline quality that Assyrtiko can take on. A recent tasting with Southern Wine Roads was fascinating, – I will be writing it up soon for The Buyer.

5 – Aligoté: A varietal I should have tasted more of. With wines like Love and Pif out there, there is a lot to be explored.

6 – Kazakhstan: I saw some impressive wines from Kazakhstan at the London Wine Fair last year. Hoping to see more of these this year.

7 – Garnacha!: In lighter, unoaked styles. Possibly also more minimal intervention Rioja? I’d like to see that.

8 – Vermentino, and Rolle: (the same, French tho). In 2 styles – the more reductive and very fresh style, as well as the richer, round style. The Rolle from Le Grand Cros falls into the latter and is really stunning.

9 – English reds: I absolutely love Chapel Down’s Union Red and think we have a huge potential in this country for light, elegant reds.

10 – ….. More small production Nouveau within the trade? I’d like to see some Nouveau from other regions (and even countries?) because they’re very interesting wines, that give some insight into the vintage.

We shall wait and see.

HAPPY NEW YEAR!

Christina Rasmussen

#BOJONUVO: THE REVIVAL

#BOJONUVO : The revival… PART 1

I’ll try to keep this as brief as I can, difficult because there’s a lot to be said. Something good is stirring for the tradition…

Beaujolais Nouveau: A tradition that’s been going since the 70s, where people would race with the “baby wine” of Beaujolais to Paris, and then to London, and in later years to Asia, America, and so on. It happens on the third Thursday of November, with chants around the world of Le Beaujolais nouveau est arrivé!!!

The wine is a vin de primeur. It was originally created to assess how the vintage is going, as a way of winemakers to communicate with one another and have a first glimpse of the latest (in this case 2016) vintage. Personally, I think it’s fascinating, not just for Gamay/Beaujolais, but for other regions too. I once tried a baby Mâcon, which was wonderful – young and crazy and tasting of Haribo eggs, but nonetheless a solid, good baby wine-in-the-making.

Unfortunately, it resulted in a lot of poorly produced, weak, off-balance Beaujolais Nouveau that was produced to keep up with the marketing. This led to the Beaujolais name becoming somewhat tainted. It also led to consumers thinking that this was Beaujolais: this half, weak, baby wine. They thought the toddler was in fact the adult. This is frustrating, and a huge shame, because Beaujolais is capable of creating really fine wine, that can compete against the Pinots of the world (Gamay is after all, the genetic child of Pinot Noir). The crus have impeccable capacity for ageing, and the wines produce a very delicate, earthy, wild-strawberry-like wine with age. They are, in my opinion, some of the best wines for mirroring their terroir: Gamay is a delicate, ethereal varietal whose aromas really reflect where it comes from.

Furthermore, Beaujolais has the most fascinating array of terroirs. SIGALES have recently carried out a study of the soils of Beaujolais, using drill trenches and infra-red. This has resulted in the amazing characterisation of soils. And really – these have an evident effect on the wines: wines from granite have a very different taste profile from those from alluvial soils, schist, or manganese-heavy soils. How this happens, we don’t know, but I am adamant that it does.

Over the past few years, there has been incredible advances in Beaujolais. We have of course always had the fabulous Gang Of Four (Lapierre, Foillard, Breton and Thévenet), but in recent years, small young artisan producers are popping out left right and centre, for example Damien Coquelet, Mee Godard, Fréderic Berne from Château des Vergers, Brice Laffond and Jean-Jacques Parinet of Château du Moulin-à-Vent, the Thillardon brothers, Mathieu Melinand, the Sunier brothers are just some that spring to mind, there are many many more. These are highly talented producers, making very expressive wines from specific plots, that truly express a sense of origin. There’s a focus on natural production: indigenous yeasts, no fining/filtering etc, that means you pretty much get the precise expression of the vineyard into your glass.

With the Thillardon brothers, May 2016

Camille Lapierre, May 2016

What does this mean for Beaujolais Nouveau?

All of the above means that some of these young producers are also making Beaujolais Nouveau, normally for the local market, and definitely to assess their own vintages and make sure everything is running smoothly, and to gain an idea for what their vintage will look like. However, they beginning to arrive over here too…

The Bojo Nouveau wines from LAPIERRE and from REMI DUFAITRE will be available to taste at Soif, Terroirs and Toasted.

NB; In additon, these restaurants will be serving a Muscadet Nouveau from Landeron, and “Octobre”, a nouveau from Roussillon (domaine Foulards Rouges). Say whaaaat? I’ll obv be trying these too.

Furthermore, the wonderfully talented Andrew Nielsen from LE GRAPPIN has created a single vineyard plot of #BOJONUVO.

This will be available in Ben’s House, Bistro Union, Brunswick House, Clipstone, Galvin Bistrot de Luxe, Galvin Hop, Grain Store, Noble Rot (Fête du Beaujolais, with Pierre Koffman overseeing the menu and Andrew Nielsen in attendance along with Jean-Louis Dutraive and Julien Sunier), the Winemakers Club, 161 Food+Drink, and Ruby’s for their Genuwine dance party.

Made from (declassified) old vine Côte-de-Brouilly grapes and placed into an IBC (International Beverage Container – a 1000L drum) under cover of CO2 for sixteen days untouched under pressure of its own CO2 produced naturally by fermentation. On the 16th day of cuvaison, the top was cut open, and the grapes were crushed by foot. The juice was run off to be fermented separately from the pressings. Unfined, unfiltered, no added yeasts or any additions of any kind. No SO2. Kegged by gravity. Inspired both by old-school closed top carbonic fermentations from the Beaujolais and Vino Di Anna’s Palmento made from the free run of foot crushed grapes.

The wine comes direct from the keg via the on-tap project started last year by OW LOEB – who now works with over 30 top London restaurants delivering quality wine by the glass fresh from the winery. This is in order to protect freshness, and be environmentally-freindly. It arrives in London TODAY, fresh from the cuve in the keg! Nielsen is well-renowned for his passion for the environment – for example he doesn’t use capsules on his fine wines, and he creates “bagnums” and kegs for his vins de soif.

WHY WE SHOULD BE TALKING ABOUT ROLLE

Rolle. AKA Vermentino, but grown in the South of France. It’s one of my current grape crushes and writing this has made me decide to go out and seek some more. In white wines, one of the main things I look for is a balanced acidity, and in particular, mouthfeel. Mouthfeel is something that I think lacks in a lot of white wines, and equally finding a white without a piercing acidity can be tricky. (Saying this, I am biased as my taste tends to lean towards wines with a lower acidity.) In this case we have a wine that naturally has a high acidity and this wine has extraordinary balance.

Le Grand Cros, Esprit de Provence Blanc 2015 – £15.95 Pall Mall Fine Wines

Also available to buy by the case at Asset Wines

TASTING NOTES:

Prominant honeysuckle and lemon on the nose, with a lovely soft palate of white peach and apricot. Fantastically long finish with slight almond notes – lingering on the palate.

Julian Faulkner, winemaker at Le Grand Cros, feels strongly that there is a place for Rolle in Provence, and I agree. A market that is dominated by rosé also produces this lovely varietal that I feel is often forgotten about. It is commonly used in rosé blends, but now we are seeing a few producers making it as 100% whites. I just hope we will start to see more.

Rolle has a unique flavour spectrum in the climate of Provence. While producing its signature citrus and floral, fresh aromatics it also produces stone fruit flavours such as peach and apricot, and in some cases some exotic notes.

What really draws me to this wine in particular is its soft palate and lovely mouthfeel – it fills the mouth and has a fantastically long finish. Perhaps one of the longest finishes I’ve ever experienced from an unoaked white.

I would describe this mouthfeel as a lighter, more lifted style of Viognier, while maintaining a slight “zing” you get from other SW varietals such as Sauvignon Blanc and Roussanne.

How is it made?

Each parcel is vinified separately; short skin contact at 15°C; grapes were pressed with early separation of pressed must; tight cold static must settling; temperature control of fermentation at 16-17°C; racking and blockage of malolactic fermentation.